This was an article that I’d originally intended to submit to my school newspaper, The Montclarion, but I never got around to it. So here it is in its final version, the Top Ten Albums I’m Deleting From My iTunes.
You’ve got them too - the album you downloaded because you liked the single, because you liked the cover art, because you liked the band’s previous work - you name it, you downloaded it. And then you end up hating it. It sits around wherever you have music stored, collecting digital dust, until you finally work up the nerve to hit the delete key. If you’re a collector like me, this is the hardest thing you’ll ever have to do - to reduce the numbers, to dip below a certain point - or maybe it’s because you just want to keep it around to have it remind you how much hatred you’re harboring. Either way, these shitty albums sit around and take up valuable space that could be used for anything. Porn Schoolwork, free hard drive space, or even other music!
When I publish this list, I will work up the nerve to actually rid myself of these auditory atrocities. I really will delete them. And I’ll never look back.
10. Finch’s Say Hello To Sunshine
Finch were one of my favorite bands in high school. Their first full-length album was one of the first that I ever purchased for myself (which just so happened to be on the only day that I ever cut school), and I listened to it non-stop. In late 2004, Finch would release their sophomore effort, Say Hello To Sunshine. What happened there was very bad. They followed the trend at the time, and turned away from their screamo roots - releasing an album that’s closer to nü-metal than anything else. I found it unlistenable; and apparently, the majority of others did too. Finch broke up later that year, but recently got back together. Here’s hoping their newer efforts fall more in the vein of What It Is To Burn, eh?
9. Paramore’s All We Know Is Falling
Female-fronted punk is almost unheard of. (Almost.) Even more uncommon? Female-fronted pop-punk. When I first heard about Paramore, I was really excited. An enthusiastic teenage girl leading a band of her peers? On Fueled By Ramen? Sign me up! I love female lead singers, especially since there are so very few in these genres, and I’m willing to give most anyone a try. Unfortunately, Paramore just never caught on with me. Everyone loves them…and sorry, but Hayley whatever her name is’s voice just irritates me. I can’t even name, let alone RECOGNIZE any of the other band members - not good PR. Take away the gimmick and they’re just another no-name mediocre band. I’ve got to admit, though - Hayley is kinda cute, and I love her hair.
8. Cute Is What We Aim For’s Same Old Blood Rush With A New Touch
Another disappointment by FBR. First things first: “Curse of Curves” is highly offensive to me. Call me curvy, call me fat, whatever - I’m hot, and that’s what matters. I don’t need some whiny brat bitching about weight - girls have enough self esteem issues as is with media portrayals…but that’s another rant for another time. The vocals are forgettable, the instrumentals equally as much, and the lyrics are just plain insipid. My disdain for CIWWAF was cemented when I found that the cover of their latest album was stolen from the Counting Crows. Naughty naughty, Shaant.
7. 30 Seconds To Mars’s 30 Seconds To Mars and A Beautiful Lie
I know, I know - TWO albums? Yes. Because they’re equally as meaningless to me. I downloaded A Beautiful Lie because a) I liked “The Kill” and b) Jared Leto is hot with a ton of eyeliner. Superficial, yes. As I listened, though, everything started sounding the same. Blending together. When I can’t tell your tracks apart and don’t notice, that’s a good thing. When I do, it’s very bad. Again, I find them lyrically forgettable - I mean, hell - if I hadn’t seen the video for “The Kill,” I’d probably have just written them off as another humdrum band.
6. The Lyndsay Diaries’s Remember The Memories
Honestly, I don’t even remember downloading this. I remember reading about it in a book (Andy Greenwald’s Nothing Feels Good) and getting it because I liked his motivation. It turned out to be another Dashboard Confessional clone, and it did nothing for me. Baleeted.
5. Regina Spektor’s Soviet Kitsch
I love the former Soviet Union. I love its theories, its ideals, its misfires, and the whole ethical belief behind it. I’ve got relatives from the former Soviet Union: from the Ukraine, to be specifc. So when I found out that Regina Spektor was also Ukranian, I was like DUDE. NOBODY’S UKRANIAN! and I borrowed the album from my friend Sarah…and I was severely let down. Her piano playing is fantastic, but she reminds me too much of Tori Amos, of whom I am admittedly not a fan, and probably never will be. Her vocals are abrasive, and her lyrics are so horribly tragic that I can’t listen to them.
4. Hawthorne Heights’s If Only You Were Lonely
Okay, here’s how it went with Hawthorne Heights. When they first came out, they were on Victory. Victory marketed them as this awesome new band that fans of Thursday would like! I love Thursday! So I bought their first album. I couldn’t get past the part about cutting their wrists and blacking their eyes and falling asleep to die or whatever. Way to ring the emo bell. When their sophomore album came out, If Only You Were Lonely, I heard the single “Saying Sorry” and kinda liked it, so I gave it a shot…only to find that it was more of the same. My heart goes out to the band at the loss of Casey Calvert, but that doesn’t make up for the fact that they suck.
3. Panic At The Disco’s Pretty.Odd
I knew it was bad news when they took the exclamation point out of their name. There is such a huge stylistic jump from their first album, A Fever You Can’t Sweat Out (which I truly love) and this. It doesn’t work. It’s like they’re trying too hard to be the Beatles; and they’re going to end up the same way…except I don’t think any Panic fangirls are going to kill them to save the world.
2. Angels and Airwaves’s We Don’t Need To Whisper
When I was in the eighth grade, Blink-182 was king. They had enough gross-out silliness paired with ~*punk rawk*~ to catch my attention, and I’ll readily admit that if it weren’t for Blink, I wouldn’t like half the music that I do. When the band went on “permanent hiatus” in 2004, I wasn’t crushed like some, but I did feel like a little part of my childhood had died. Two years later, the members had separated themselves into solo projects: bassist/vocalist Mark Hoppus and drummer Travis Barker in +44, and guitarist/vocalist Tom DeLonge in Angels and Airwaves. I downloaded both albums, gave them a listen, and absolutely LOVED +44’s When Your Heart Stops Beating. I still spin that in semi-regular rotation. Tom DeLonge’s venture, though, was an epic fail. Maybe it’s me, but I just didn’t get it. I’ve always thought that his voice was unnecessarily whiny, kind of like a cheese grater on open flesh. To have it be the sole focus of a side project, though? I’ll pass.
And finally, the number one album I’m getting rid of is:
1. The Red Jumpsuit Apparatus’s The Red Jumpsuit Apparatus
There’s nothing like glorifying rape and abuse like “Face Down”! Catchy little number, isn’t it? And with a song like “Ass Shaker,” who needs enemies? I don’t even feel I need to write anything about this album - it should speak volumes for itself.
Runners up to this list include The Academy Is’s Santi (which only escaped because I never downloaded it), Plain White T’s Every Second Counts (which is loathed but yet spared by the horribleness of “Hate (I Really Don’t Like You)”), and the Borat soundtrack (whyyyyyyyy did I download this? Oh yeah! To annoy future roommates!)
Agree? Disagree? What are your most loathed albums? Share them in the comments!